World War I Causes

World War I Causes Causes of World War OneThe long-term origins to World War One start back in 1870 with the Franco-Prussian War. In the Franco-Prussian war France lost to Germany which lead to the two countries never being in an alliance with one another. Once the war was over it lead to the forming of the triple Alliance which was one of the main alliances during the first world war. The Triple alliance was made up of the countries - Germany, Austo-Hungery and Italy, and it was first formed because Germany needed help to guard Alsace-Lorrain from France as France wanted to get back its stolen land.Another of the long-term origins to World War One was Weltpolitic. Weltpolitic was a policy Kaiser Wilhelm the second, who believed that Germany had a right to become a global imperial power and should develop an army and navy to support its colonial objectives.Boundaries on the Balkans after the First and the ...Kaiser Wilhelm's personality and his policy of Weltpolitic were seen as contributing to interna tional tensions. The policy lead Germany to construct a huge navy which lead to domestic problems as the navy cost heaps, It also lead into the start of the Boer wars and the Morrocan Crisis. Many Historians have said, 'Weltpolitic was only a half-hearted policy' (Paul Schroeder), and that it was only inviting the other countries to go to war. Fritz Fischer argued that - 'Germany provoked war and ensured that compromise was impossible in order to achieve Weltpolitic, to economically dominate central Europe, to create an colonial empire and to solve its own internal political and economic problems'. Fischer was an Historian that believed that the majority of the responsibility for the Start of the war relied in Germany.Another of the long-term origins to World War One was the Morrocan Crisis of 1905 and 1911.

Bare Infinitive After Certain Verbs

Bare Infinitive After Certain Verbs Bare Infinitive After Certain Verbs Bare Infinitive After Certain Verbs By Maeve Maddox An ESL speaker has two questions about the following construction: I was startled to hear a local radio announcer refer to a contest for artists to submit designs to paint â€Å"murals† on storm drains. Question 1 Can you, please, explain to me why the construction calls for the plural form of the verb â€Å"refer† rather than the singular one (refers) when the subject of this verb (a local radio announcer) is singular? Answer Refer is not inflected because it is not a main verb in this clause. It’s an infinitive. The sentence contains one main verb (â€Å"was startled†) and four infinitives. Three of the infinitives are easy to spot: to hear, to submit, and to paint. The fourth infinitive- refer- lacks the identifying to because it is a bare infinitive. A â€Å"bare infinitive† is written without the particle to. Bare infinitives are not as common as complete infinitives, but they do follow certain verbs. The modal auxiliary verbs will, shall, would, could, can, may, might, must, and should are followed by the bare infinitive. For example: We should go to bed early tonight. (bare infinitive) Can you help me? (bare infinitive) When certain verbs, such as hear, see, make, and let, are followed by an object, the object will be followed by a bare infinitive. For example: I saw him make a face. The object of saw is him. Make is a bare infinitive. She heard Charles tell a lie. The object of heard is Charles. Tell is a bare infinitive. I was startled to hear a local radio announcer refer to a contest. The object of to hear is a local radio announcer. Refer is a bare infinitive. Question 2 Would I be correct if I use the participle form of the verb; i.e., â€Å"I was startled to hear a local radio announcer referring to a contest†¦Ã¢â‚¬ ? Answer The use of refer rather than referring in this context is a stylistic choice. The original sentence is made up of two clauses: Because I am used to thinking of a  mural  as a painting on a wall, I was startled to hear a local radio announcer refer to a contest for artists to submit designs to paint â€Å"murals† on storm drains. The word refer points the reader to the words following it. Changing refer to referring would shift the emphasis from what was said to the announcer saying it. It wouldn’t be â€Å"wrong,† but it would weaken the sentence. Want to improve your English in five minutes a day? Get a subscription and start receiving our writing tips and exercises daily! Keep learning! Browse the Grammar category, check our popular posts, or choose a related post below:7 English Grammar Rules You Should KnowCannot or Can Not?"To Tide You Over"

Income Concepts and Income statement Assignment

Income Concepts and Income statement - Assignment Example It is the most traditional method of determining the quality of the income. Through this way, the business can realize whether it made a profit or a loss. Analysts have however criticized this method arguing that it only focuses on short-term profits and losses, but not long term. They, however, discourage mostly businesses from using it. It is, however, the most common output generated by accounting software when analyzing the earnings of a company (Porter & Norton, 2012). Second, small businesses that earn their revenue through sales, sales growth is the most ideal metric to measure the quality of the earnings. It shows roughly the estimate of how the business is trending throughout time. The sales growth method measures the percentage of the earnings as a percentage of growth throughout a year. It is in terms of either positive sales growth or negative sales growth. Positive sales growth indicates that the business is growing while, on the contrary, negative sales growth shows that the sales have declined over the past year (Porter & Norton, 2012). Financial ratios can be used to determine the quality of the earnings of the firm. Using the company’s financial statements, there can be an easy computation of financial ratios. It is the most efficient and simplest way to determine the performance of a firm. If you focus on the right type of ratio, your analysis of the concern, you have can come out right. For instance, if you are most concerned with the ability of your firm to convert assets to cash for satisfying a short term goal, you may most probably calculate some liquidity ratios and see how many dollars of current assets you have for each dollar of current liabilities. It is usually useful to the business owner who has less time but needs quick information on the performance of the firm (Porter & Norton, 2012). Additionally, a firm can also use expense reduction as metric for determining the quality of income. The expense reduction

Domestic violence Research Paper Example | Topics and Well Written Essays - 3250 words

Domestic violence - Research Paper Example In this paper is illustrated one of the most popular, but in the same time - the most reticent problem of society - violence in the family. It is important to note that domestic violence does not always manifest as physical abuse. Emotional and psychological abuse can often be just as extreme as physical violence. The researcher will apply mailed questionnaire for the present study. Twenty males and females each will be taken as the units of analysis in order to accept or reject the hypothesis. The researcher will select the respondents from different socioeconomic classes in order to give representation to all social strata. After the completion of the research process, the data will be tabulated and results would be interpreted, in the light of which conclusion and suggestions would be made. Domestic violence refers to the antagonism, aggression, and anger practiced by the family members against their own family in one way or the other. Domestic violence not only creates differences and hatred among the family members but also turns the most secure place i.e. home as the most unsafe and dangerous zone on the very face of the earth. The researches also view poverty and financial problems also cause domestic instability and invite hostility and aggression in the family. Though it is not only pecuniary problems that bring violence in the family, yet people’s inability to keep the wolf from the door certainly aggravate the uneven situation and cause the increase the mental agony of the individuals. ... at domestic level, which creates serious problems within this basic and most important social institution. Domestic violence not only creates differences and hatred among the family members, but also turns the most secure place i.e. home as the most unsafe and dangerous zone on the very face of the earth. The report presented by the UNICEF describes the same by stating that the domestic violence inflicted by the males aptly put women and children in great danger in the place where they should be safest: within their families. For many, ‘home’ is where they face a regime of terror and violence at the hands of somebody close to them – somebody they should be able to trust. Those victimized suffer physically and psychologically. (Unicef-irc.org) The researches reveal the very fact that domestic violence is the outcome of belligerence and haughtiness observed by the males at home. Ingkintja Congress of Male Health suggests that over 95% of reported violent offences ar e committed by males. This is a male problem—it's up to men to take the lead in fixing it. (creativespirits.info) The dominant role played by male stratum is actually the main reason behind their being responsible in domestic violence. Another reason behind men’s displaying violence at home is partly due to the strong desire for maintaining their supremacy and authority over women and children at large against the financial support they are rendering for the family. The researches also view poverty and financial problems also cause domestic instability and invite hostility and aggression in family. Though it is not only pecuniary problems that bring violence in family, yet people’s inability to keep the wolf from the door certainly aggravate the uneven situation and cause in

The VAK Learning System Essay Example for Free

The VAK Learning System Essay The first evaluation is to find out if student learns better by hearing, seeing, or moving information as a part of processing it. Every person’s learning style is either or a combination of auditory, visual, or kinesthetic (tactile) in terms of the way he or she learns best. No particular style is better than the others; it is all about what works best for the individual. The learning styles are put together by a system in which is VAK. VAK stands for Visual, Auditory, and Kinesthetic (Tactile). The theory is one prefers to learn through one of these sense channels. Visual Learning Style learn through seeing . . . These learners need to see the teacher’s body language and facial expression to fully understand the content of a lesson. They tend to prefer sitting at the front of the classroom. They may think in pictures and learn best from visual displays including: diagrams, illustrated textbooks, overhead transparencies, videos, flipcharts, use of interactive whiteboards, and hand-outs. During a lesson or classroom discussions, visual learners often prefer to take detailed notes to absorb the information. Highlight important points in text. Use books on tapes. Use a tape recorder to tape lectures, presentations, directions, etc. Learn to use text glossary, indexes, appendices, chapter summaries, etc. Preview texts. Auditory Learning Style learn through listening . . . They learn best through verbal lessons, discussions, talking things through and listening to what others have to say. Auditory learners interpret the underlying meanings of speech through listening to the tone of voice, pitch, and speed. Written information may have little meaning until it is heard. These learners often benefit from reading text aloud and using a tape recorder. Discuss their ideas. Work in study groups. Recite information that is important to remember. Review printed material before auditory information is presented. Repeat back instructions just heard to check clarity. Kinesthetic (Tactile) Learning Style learn through moving, doing, and touching . . . Kinesthetic learners learn best through a hands-on approach, actively exploring the physical world around them. They may find it hard to sit still for long periods and may become distracted by their need for activity and exploration. Take frequent study breaks. Work at a standing position. Listen to music while they study. Bring some type of â€Å"grip toy† to class to hold on to. Skim through reading material to get a rough idea what it is about before sitting down to read it in detail. â€Å"No one person uses one style of learning exclusively, but they do have preferred learning styles. It is therefore important to attempt to cater for all learning styles during lessons to enable the most efficient learning to take place.†

Smallpox : Pathogenesis and Pathology Essay -- Disease virus Variola

Smallpox: Pathogenesis and Pathology Smallpox was eradicated in 1980 by the Center for Disease and control. It is now contained in five labs in the United States and Russia, however there are other labs in the world with smallpox. Smallpox is created from the virus Variola which inoculates itself through the skin and into the dermis or more commonly from prolonged, direct face to face contact. Smallpox incubates for as long as two weeks at which time it is multiplying in the lymph nodes and bone marrow. The virus is also able to enter the blood stream and travel through without being harmed by macrophages. The variola virus also causes monkeypox and cowpox however none of these are as bad or as fatal as smallpox. Smallpox is transferred through the air from prolonged face-to-face exposure. It is also transferred by skin inoculated into the dermis often in an existing wound. Once a human is infected with smallpox, the virus incubates for a period of ten to fourteen days, at which time the human was not infectious. In the incubation period the variola virus multiplies. Once the incubation period ends smallpox infects the respiratory tract which at this time cannot be detected nor provide any symptoms. Next, the virus replicates in the lymph nodes, bone marrow, and spleen. The smallpox virus creates virions which carry the viral DNA from cell to cell protecting it from the inhospitable conditions of the body. There the infected macrophages and virions infect other macrophages in the dermis thus spreading the virus later causing the pustules on the skin. Necrosis and edema follow causing such legions to leave permanent scars once the pustules scab and fall off (Aguayo). The first cells to become actively produced f... ...0/vaccinia_virus.html>. Langohr, I. M., G. W. Stevenson, H. L. Thacker, and R. L. Regnery. "Extensive Lesions of Monkeypox in a Prairie Dog." Veterinary Pathology. 2004. University of California Davis. 24 July 2007 . Mayo Clinic. "Smallpox." MayoClinic.Com. 12 Aug. 2005. Infectious Disease. 25 July 2007 . "Smallpox." Armed Forces Institute of Pathology,. 1 Jan. 1970. 27 July 2007 . "Smallpox Vaccine And Monkeypox." Center for Disease Control. 1 Jan. 1970. 25 July 2007 . Webmd. "Cowpox Infection, Human." EMedicine.Com. 29 July 2007. WebMD. 23 July 2007 . Smallpox : Pathogenesis and Pathology Essay -- Disease virus Variola Smallpox: Pathogenesis and Pathology Smallpox was eradicated in 1980 by the Center for Disease and control. It is now contained in five labs in the United States and Russia, however there are other labs in the world with smallpox. Smallpox is created from the virus Variola which inoculates itself through the skin and into the dermis or more commonly from prolonged, direct face to face contact. Smallpox incubates for as long as two weeks at which time it is multiplying in the lymph nodes and bone marrow. The virus is also able to enter the blood stream and travel through without being harmed by macrophages. The variola virus also causes monkeypox and cowpox however none of these are as bad or as fatal as smallpox. Smallpox is transferred through the air from prolonged face-to-face exposure. It is also transferred by skin inoculated into the dermis often in an existing wound. Once a human is infected with smallpox, the virus incubates for a period of ten to fourteen days, at which time the human was not infectious. In the incubation period the variola virus multiplies. Once the incubation period ends smallpox infects the respiratory tract which at this time cannot be detected nor provide any symptoms. Next, the virus replicates in the lymph nodes, bone marrow, and spleen. The smallpox virus creates virions which carry the viral DNA from cell to cell protecting it from the inhospitable conditions of the body. There the infected macrophages and virions infect other macrophages in the dermis thus spreading the virus later causing the pustules on the skin. Necrosis and edema follow causing such legions to leave permanent scars once the pustules scab and fall off (Aguayo). The first cells to become actively produced f... ...0/vaccinia_virus.html>. Langohr, I. M., G. W. Stevenson, H. L. Thacker, and R. L. Regnery. "Extensive Lesions of Monkeypox in a Prairie Dog." Veterinary Pathology. 2004. University of California Davis. 24 July 2007 . Mayo Clinic. "Smallpox." MayoClinic.Com. 12 Aug. 2005. Infectious Disease. 25 July 2007 . "Smallpox." Armed Forces Institute of Pathology,. 1 Jan. 1970. 27 July 2007 . "Smallpox Vaccine And Monkeypox." Center for Disease Control. 1 Jan. 1970. 25 July 2007 . Webmd. "Cowpox Infection, Human." EMedicine.Com. 29 July 2007. WebMD. 23 July 2007 .

The Return: Shadow Souls Chapter 8

As they hastened from the car to the secluded motel room, Elena had to put pressure on her legs to keep them steady under her. As soon as the door to the room slammed shut, with the storm more or less outside and her own stiff and aching body inside, she headed for the bathroom without even turning on a light. Her clothes and hair and feet were all damp. The fluorescent lights of the bathroom seemed too bright after the darkness of the night and the storm. Or maybe it was the beginning of her learning to circulate her Power. That had certainly been a surprise. Damon hadn't even been touching her, but the shock she had felt still reverberated inside her. And as for the feeling of having her Power manipulated from outside her body, well, there just weren't words. It had been a breathtaking experience, all right. Even now just thinking about it made her knees tremble. But it was more clear than ever that Damon wanted nothing to do with her. Elena confronted her own image in the mirror and winced. Yes, she looked like a drowned rat that had been dragged backward a mile through the gutter. Her hair was damp, turning its silky waves into tiny wisps of curls all around her head and face; she was as white as an invalid, and her blue eyes were staring out of the pinched and exhausted face of a child. For just a moment she remembered being in even worse shape a few days – yes, it was only days – ago, and having Damon treat her with the utmost gentleness, as if her bedraggled appearance had meant nothing to him. But those memories had been taken from Damon by Shinichi, and it was too much to hope that that might have been his real state of mind. It had been†¦whim†¦like all his other whims. Furious at Damon – and at herself for the prickling behind her eyes she felt – Elena turned away from the mirror. The past was the past. She had no idea why Damon had suddenly decided to start jerking away from her touch, or to look at her with the hard cold eyes of a predator. Something had caused him to hate her, to barely be able to sit in the car with her. And whatever it was, Elena had to learn to ignore it, because if Damon left, she would have no chance of finding Stefan. Stefan. At last her trembling heart could find rest in thinking of Stefan. He wouldn't care what she looked like: his sole concern would be for her well-being. Elena shut her eyes as she turned on the hot water in the tub and stripped off her clammy clothes, basking in her imagination of Stefan's love and approval. The motel had provided a small plastic bottle of bubblebath, but Elena left it alone. She'd brought her own translucent-gold bag of vanilla bath crystals in her duffel bag, and this was the first chance she'd had to use it. Carefully, she shook about a third of the beribboned bag's crystals into the rapidly filling tub and was rewarded with a steamy blast of vanilla, which she drew into her lungs gratefully. A few minutes later, Elena was shoulder deep in hot water covered with a vanilla-scented foam. Her eyes were shut and the warmth was soaking into her body. The softly disintegrating salts were easing away all pain. These weren't ordinary bath salts. They had no medicinal smell, but they'd been given to her by Stefan's landlady, Mrs. Flowers, who was a genteel elderly white witch. Mrs. Flowers's herbal recipes were her specialty, and right now Elena would swear that she could feel all the tension of the last few days being actively sucked out of her body and gently soothed away. Oh, this was just what she had needed. Elena had never appreciated a bath like this before. Now, there's just one thing, she told herself firmly, as she inhaled breath after delicious breath of vanilla steam. You asked Mrs. Flowers for bath salts that would relax you, but you cannot fall asleep here. You'll drown, and you already know what that feels like. Been there, done that, didn't even have to buy the shroud. But even now Elena's thoughts were dimmer and more fragmented, as the hot water continued to relax her muscles, and the vanilla scent swirled around her head. She was losing continuity, her mind drifting off into daydreams†¦. She was giving herself to the heat and the luxury of not having to do anything at all†¦. She was asleep. In her dream, she was moving briskly. It was only half-light, but she could tell somehow that she was skimming downward through deep gray mist. What worried her was that she seemed to be surrounded by arguing voices, and they were arguing about her. â€Å"A second chance? I've spoken to her about it.† â€Å"She won't remember anything.† â€Å"It doesn't matter whether she remembers. Everything will remain inside her, if unawakened.† â€Å"It will germinate inside her†¦until the time is right.† Elena had no idea what any of it meant. And then this mist was thinning, and clouds were making way for her, and she was drifting down, more and more slowly, until she was deposited gently on a ground covered with pine needles. The voices were gone. She was lying on a forest floor, but she wasn't naked. She was wearing her prettiest nightgown, the one with real Valenciennes lace. She was listening to the tiny night sounds all around her when suddenly her aura reacted in a way that it never had before. It told her someone was coming. Someone who brought a sense of safety in warm earthen hues, in soft rose colors and deep, blue violets that enfolded her even before the person arrived. These were†¦someone's†¦feelings about herself. And behind the love and soothing concern she experienced, there were deep forest greens, shafts of warm gold, and a mysterious tinge of translucency, like a waterfall that sparkled as it fell and foamed like diamonds around her. Elena, a voice whispered. Elena. This was so familiar†¦. Elena. Elena. She knew this†¦. Elena, my angel. It meant love. Even as Elena was sitting up and turning in her dream, she was holding out her arms. This person belonged with her. He was her magic, her solace, her best-beloved. It didn't matter how he'd gotten there, or what had happened before. He was her soul's eternal mate. And then†¦ Strong arms holding her tenderly†¦ A warm body close to hers†¦ Sweet kisses†¦ Many, many times†¦ This familiar feeling as she melted into his embrace†¦ He was so gentle, but almost fierce in his love for her. He had vowed not to kill, but he would kill to save her. She was his most precious thing in all the world†¦. Any sacrifice would be worth it if she were safe and free. His life meant nothing without her, so he would gladly give it, laughing and kissing his hand to her with his last breath. Elena breathed in the wonderful autumn-leaves scent of his sweater and was comforted. Like a baby, she allowed herself to be soothed by simple familiar odors, by the feeling of her cheek against his shoulder and the wonder of the two of them breathing together in synchronicity. When she tried to put a name to this miracle, it was at the front of her mind. Stefan†¦ Elena didn't even need to look up at his face to know that Stefan's leaf-green eyes would be dancing like the waters of a small pond ruffled by wind and sparkling with a thousand different points of light. She buried her head in his neck, afraid somehow to let go of him, although she couldn't remember why. I don't know how I got here, she told him nonverbally. In fact, she didn't remember anything before this, before awakening to his call, only jumbled images. It doesn't matter. I'm with you. Fear seized her. This isn't†¦just a dream, is it? No dream is just a dream. And I'm with you always. But how did we get here? Shhh. You're tired. I'll hold you up. On my life, I swear it. Just rest. Let me hold you just once. Just once? But†¦ But now Elena felt worried and dazed, and she had to let her head fall backward, had to see Stefan's face. She tilted her chin back and found herself meeting laughing eyes of an infinite darkness in a chiseled, pale, and proudly handsome face. She almost cried out in horror. Hush. Hush, angel. Damon! The dark eyes that met hers were full of love and joy. Who else? How dare you – how did you get here? Elena was more and more confused. I don't belong anywhere, Damon pointed out, suddenly sounding sad. You know I'll always be with you. I do not; I do not – give Stefan back to me! But it was too late. Elena was aware of the sound of water trickling and of tepid liquid sloshing around her. She woke up just in time to keep her head from going underwater in the bathtub. A dream†¦ She felt much more flexible and easy in her body, but she couldn't help feeling saddened by the dream. It hadn't been an out of body experience, either – it had been a simple, crazy, mixed-up, dream of her own. I don't belong anywhere. I'll always be with you. Now what was gibberish like that supposed to mean? But something inside Elena trembled, even as she remembered it. She hastily changed – not into a Valenciennes lace nightgown, but into a gray and black sweat suit. When she emerged, she was feeling overtired and prickly and ready to start a fight if Damon gave any sign of having picked up on her sleeping thoughts. But Damon didn't. Elena saw a bed, managed to focus on it, stumbled toward it and collapsed, flopping down on pillows that sank unsatisfactorily beneath her head. Elena liked her pillows firm. For a few moments she lay, savoring her after-bath sensations, as her skin gradually cooled – and her head cooled as well. As far as she could tell, Damon was standing in exactly the same position as he had taken up when they'd entered the room. And he was still as silent as he had been since the morning. Finally, to get it over with, she spoke to him. And being Elena, she went straight to the heart of the problem. â€Å"What's wrong, Damon?† â€Å"Nothing.† Damon stared out the window, pretending to be engrossed in something beyond the glass. â€Å"What nothing?† Damon shook his head. But somehow, his turned back eloquently conveyed his opinion of this motel room. Elena examined the room with the too-bright vision of someone who has forced their body beyond its limits. She contemplated beige walls, beige carpet, a beige armchair, a beige desk, and of course, a beige bedspread. Even Damon couldn't reject a room on the grounds that it doesn't match his basic black, she thought, and then: oh, I'm tired. And bewildered. And scared. And†¦incredibly stupid. There's only one bed in here. I'm lying on it. â€Å"Damon†¦Ã¢â‚¬  With an effort, she sat up. â€Å"What do you want? There's a chair. I can sleep on the chair.† He half turned, and she saw in the movement that he wasn't annoyed or playing games. He was furious. It was all there in the faster-than-the-human-eye-could-follow assassin's spin and the complete muscular control that stilled it almost before it had begun. Damon with his sudden movements and his frightening stillness. He was looking out the window again, body poised as always for†¦something. Right now it looked poised to jump through glass to get outside. â€Å"Vampires don't need sleep,† he said in a voice icier and more controlled than she'd heard since Matt had left them. That gave her the energy to get off the bed. â€Å"You know I know that's a lie.† â€Å"Take the bed, Elena. Go to sleep.† But his voice was the same. She would have expected a flat, weary command. Damon sounded more tense, more controlled than ever. More shaken than ever. Her eyelids sank. â€Å"Is this about Matt?† â€Å"No.† â€Å"Is it about Shinichi?† â€Å"No!† Aha. â€Å"It is, isn't it? You're afraid that Shinichi will get past all your defenses and possess you again. Aren't you?† â€Å"Go to bed, Elena,† Damon said tonelessly. He was still shutting her out as completely as if she weren't there. Elena got mad. â€Å"What does it take to show you that I trust you? I'm traveling all alone with you, without any idea where we're really going. I'm trusting you with Stefan's life.† Elena was behind Damon now, on the beige carpet which smelled like†¦nothing, like boiled water. Not even like dust. Her words were the dust. There was something about them that sounded hollow, wrong. They were the truth – but they weren't getting through to Damon†¦. Elena sighed. Touching Damon unexpectedly was always a tricky business, with all the risks of setting off murderous instinct by accident, even when he wasn't possessed. She reached out, now, very carefully, to put her fingertips on the elbow of his leather jacket. She spoke as precisely and unemotionally as she could. â€Å"You also know that I have other senses now than the usual five. How many times do I have to say it, Damon? I know it wasn't you torturing me and Matt last week.† Despite herself, Elena heard a certain pleading in her own voice. â€Å"I know that you've protected me on this trip when I was in danger, even killing for me. That means – a lot to me. You may say you don't believe in the human sentiment of forgiveness, but I don't think you've forgotten it. And when you know that there is nothing to forgive in the first place – â€Å" â€Å"This has absolutely nothing to do with last week!† The change in his voice – the force in it – hit Elena like a whiplash. It hurt†¦and it frightened her. Damon was serious. He was also under some dreadful strain, not completely unlike that of fighting off Shinichi's possession, but different. â€Å"Damon†¦Ã¢â‚¬  â€Å"Leave me alone!† Now, where have I heard something like that before? Befuddled, her heart pounding, Elena groped through memories. Oh, yes. Stefan. Stefan when they had first been in his room together, when he was afraid to love her. When he was sure he would cause her to be damned if he showed he cared. Could Damon be that much like the brother he always mocked? â€Å"At least turn around and talk with me face-to-face.† â€Å"Elena.† It was a whisper, but it sounded as if Damon couldn't summon up his usual silky menace. â€Å"Go to bed. Go to hell. Go anywhere, but stay away from me.† â€Å"You're so good at that, aren't you?† Elena's own voice was cold now. Recklessly, angrily, she moved in even closer. â€Å"At pushing people away. But I know that you haven't fed this evening. There's nothing else you want from me, and you can't do the starving-martyr bit half as well as Stefan – â€Å" Elena had spoken knowing that her words were guaranteed to incite a response of some kind, but Damon's usual response to this sort of thing was to lounge against something and pretend not to have heard. What happened instead was completely outside the range of her experience. Damon whirled, caught her precisely, held her locked in an unbreakable grip. Then, with a swoop of his head like a falcon on a mouse, he kissed her. He was more than strong enough to hold her still without hurting her. The kiss was hard and long and for quite a while Elena resisted out of sheer instinct. Damon's body was cool against hers, which was still warm and damp from the bath. The way he was holding her – if she put enough pressure on those particular points, it would hurt her possibly seriously. And then – she knew – he would release her. But did she really know what she knew? Was she prepared to break a bone to test it? He was stroking her hair, which was so unfair, curling the ends and crushing them in his fingers†¦just hours after he'd taught her to feel things to the tips of her hair. He knew her weak spots. Not just every woman's weak spots. He knew hers; he knew how to make her want to cry out in pleasure and how to soothe her. There was nothing to do but test her theory and maybe break a bone. She would not submit when she had not invited him. She would not! But then she remembered her curiosity about the little boy and the great stone boulder, and she deliberately opened her mind to Damon's. He fell into the trap of his own making. As soon as their minds connected there were something like fireworks. Explosions. Rockets. Stars going nova. Elena set her mind to ignoring her body and began looking for the boulder. It was deep, deep inside the most locked-off part of his brain. Deep in the eternal darkness that slept there. But Elena seemed to have brought a searchlight with her. Wherever she turned, dark festoons of cobwebs fell and heavy-looking stone arches crumbled and fell to the ground. â€Å"Don't worry,† Elena found herself saying. â€Å"The light won't do that to you! You don't have to live down here. I'll show you the beauty of the light.† What am I saying? Elena wondered even as the words left her lips. How can I promise him – and maybe he likes living here in the dark! But in the next second she had come much closer to the little boy, close enough to see his pale, wondering face. â€Å"You came again,† he said, as if it were a miracle. â€Å"You said you would come, and you did!† That brought down all Elena's barriers at once. She knelt, and pulling the chains to their utmost length, took him on her lap. â€Å"Are you glad that I came back?† she asked gently. She was already stroking his hair smooth. â€Å"Oh, yes!† It was a cry, and it frightened Elena almost as much as it pleased her. â€Å"You're the nicest person I've ever – the most beautiful thing I ever – â€Å" â€Å"Hush,† Elena told him, â€Å"hush. There's got to be some way to warm you up.† â€Å"It's the iron,† the child said humbly. â€Å"Iron keeps me weak and cold. But it has to be iron; otherwise he wouldn't be able to control me.† â€Å"I see,† Elena said grimly. She was beginning to get a grasp on what kind of relationship Damon had with this little boy. For a moment, on a hunch, she took two lengths of iron in her hands and tried to tear them apart. Elena had super-light here; why not superpowers? But all that happened was that she twisted and turned the length for nothing, and finally cut the web of her finger against an iron burr. â€Å"Oh!† The boy's huge dark eyes fixed on the dark bead of blood. He stared as if he were fascinated – and afraid. â€Å"Do you want it?† Elena held out the hand to him uncertainly. What a poor scrap of a creature to be coveting other people's blood, she thought. He nodded timidly as if he were sure she'd be angry. But Elena just smiled and he reverently held her finger and took the whole globe of blood at once, closing his lips like a kiss. As he lifted his head, he seemed to have a tinge more color in his pale face. â€Å"You told me Damon keeps you here,† she said, holding him again and feeling heat being sucked from her into his cold body. â€Å"Can you tell me why?† The child was still licking his lips, but he turned his face toward her immediately and said, â€Å"I'm the Warden of Secrets. But† – sadly – â€Å"the Secrets have gotten so big that even I don't know what they are.† Elena followed the motion of his head from his own small limbs to the iron chain to the huge, metallic ball. She felt a sinking inside herself and a deep pity for such a small warden. And she wondered what on earth could be inside that great stone sphere that Damon was guarding so intently. But she didn't get the chance to ask.

Devil wear prada essays Essay

â€Å"Devil wears Prada† was presented in 2006, based on the Lauren Weisberger’s novel of the same name. This is the story about a girl named Andrea Sachs who want to be a real journalist. For her wish, she opted to become an assistance of Miranda, a tough editor-in-chief of Runway fashion magazine. From there, she had to overcome all the challenges and the lure of the luxury life which are brought by this job. Particularly, the film also mentioned impressively the organizational culture theory of Runway fashion magazine company. II. Aspect of culture in Runway fashion magazine company via â€Å"Devil wears Prada†. 1. The basic, underlying assumptions As the film shown, all decisions are made by Miranda, the editor-in-chief. Additionally, the employees even cannot make mistakes. Their ideas are also considered strictly by Miranda. About the kind of people employed, the knowledge of the employees must be high in fashion. Moreover, they have to be passionate in fashion One significant thing of this organization is that when the employees do something right, they won’t be promoted or complimented. However, when they make mistakes, they can be scolded or even dismissed. 2. Overt belief Nigel, the art director of Runway said: â€Å"This is a place which product many excellent artists of the century. All their works, their creation is greater than the art because they lived for that† or the position as Miranda’s assistances is called â€Å"A million girls would kill for†. Anyone who work for this position for one year can apply for any newspaper office in New York. All the above reasons prove that Runway fashion magazine company has a strong organizational culture thanks to legendary figures such as Miranda, De La Renta, etc. 3. Visible artefact Runway is a fashion magazine. Therefore: The office design and furniture are modern. The pictures and photos about Runway are presented in all over the walls in the company. The employees have to be fashionable especially the female ones are slim and pretty. All of them worship the Runway magazine. 4. Symbols The image of the leader is also the image of the company, it is Miranda. She are known as a tough and evil boss. Andrea, her assistance becomes something like a personal servant. The employees are scare of her but also respect her. Its product, the magazine, became a clear symbol in the fashion industry. 5. Rules, norms, ethical codes and values Miranda is the fearsome boss. The most important one is to never ask her anything. All the employees have to abide by her decisions, including Nigel, the art direct. Moreover, the employees must understand the company culture to make a best choices and success. 6. Ritual, rites, ceremonies and celebrations Obviously, the ‘morning-routine’ can be clearly observed at Runway in Miranda’s office. Everything is prepared in a fashionable way before her arrival. When she arrives, people avoid her by anyway: a girl gets out of the lift for her and apologize, people in the corridor turn back the way they came from, etc. Working under Miranda’s supervision require certain rituals. When Andy goes to deliver ‘the book’ to Miranda’s house, Emily informs her about the strict book-ritual. III. Types of culture 1. Power culture The organization is controlled by central figures –the editor-in-chief, Miranda. She is the most powerful and famous one in company. Then, all important decisions are made by her. Likewise, she has the influence on the decisions of the employee. For instance, in the meeting with fine art teamwork, she is the only one who can choose the suitable ideas for the new collection and almost of them are denied but no one dare to oppose her opinions. Change or innovation is crucial in the fashion industry. Runway uses teamwork in order to get new fresh ideas. Miranda lets her team make suggestions to develop a new outfit for Runway-cover. The balance in Runway have a tendency to integrate all the ideas instead of making difference, under Miranda’s tight control and the strong organizational culture. Last but not least, there are the good relationships between Miranda and her assistance, Andrea or Emily and Andrea. After a hard working time, Andrea was recognized by Miranda and she can come to the Fashion week in Paris with  her boss. Finally, Miranda said to Andrea: â€Å"But I really see a great deal of myself in you†. About Emily and Andrea, they have a beautiful friendship: Emily always helped Andrea to finish the tasks. At the end of the film, Andrea gave Emily all the clothes which she had wear in Paris. 2. Role culture A role culture has a highly defined structure, where everybody has its own role. At Runway, people do not seem to have a clearly defined role. Obviously, Miranda was in the highest level in company. She played her role as an editor-in-chief, a design team leader and a human resource manager at the same time. Andrea is not only her assistance but also her personally servant to buy food or drinks and even do the scientific exercises for her daughters. Particularly, Andrea is so smart that she could expect what the others would think or do. In addition, all main characters in the film have a strong ambition. They can take risk to achieve anything they want. For example: Andrea, she applied for the post of Miranda’s assistance in one year to have a chance of being a real journalist in New York. There is not much evidence for the stability of Runway fashion magazine company but with the accomplishment which this company have got, it can be seen that the organization had a high stabilization. IV. Conclusion â€Å"Devil wears Prada† demonstrated that Runway fashion magazine company had a strong organizational culture which include sufficiently all the aspect of culture but only two types of culture.

Rennasiance essays

Rennasiance essays A booming economy along with the communes desire to obtain political power led to the formation of a new class in society which ultimately lead Europe into a period simply known as the Renaissance. Northern Italys thriving economy was a result of great advances in shipbuilding. Their ships were capable of sailing year round and could travel even greater distances, which meant they could eliminate middle men and make an even greater profit on their goods. Genoa and Venice also increased the size of their ships which allowed them to carry larger quantities of the goods. These factors lead to the development of the Florence wool industry in which thousands were hired to produce exquisite woolen cloth which, in turn, were sold at high prices. Florence bankers had also secured control of papal banking and the resulting profits from loans, investments, and money exchanges flooded into the economy. The period from 1050 to 1300 was a great time of prosperity so naturally men wanted economic freedom. The Northern Italian cities were communes in which men vowed to obtain political and economic freedom from the higher powers. These men were joined by nobles who saw an opportunity to gain wealth and power via maritime trade and availability of new public offices. This new class formed by feudal nobility and commercial aristocracy, was opposed by the popolo who felt they were being mistreated by the new communal government. They used violence to obtain power and they too mistreated those with less social standing. They were unable to establish social order so signori and constitutional oligarchies took their place. The Italian peninsula was now controlled by 5 powers during the Renaissance. These 5 powers successfully crushed revolts, collected taxes, and used large building programs to employ the masses. For years Italy was at war with itself as city-states battled one another. Eventually the idea of having resident ambassador was ...

Overview of Tiger Moths, Subfamily Arctiinae

Overview of Tiger Moths, Subfamily Arctiinae Anyone who has used a black light to sample insects at night has probably collected a few tiger moths. The subfamily name Arctiinae is likely derived from the Greek arctos, meaning bear, an apt nickname for the fuzzy tiger moth caterpillars. Appearance Tiger moths are often (but not always) brightly colored, with bold markings in geometric shapes. They tend to be small to medium in size and bear filiform antennae. The adults are mostly nocturnal, and hold their wings flat, like a roof over their bodies, when at rest. Once youve seen a few tiger moths, you will probably recognize other members of the subfamily Artiinae by sight alone. There are, however, some specific wing venation traits used for identification. In most tiger moths, the subcosta (Sc) and radial sector (Rs) are fused to the center of the discal cell in the hind wings. Tiger moth caterpillars are often quite hairy, which is why some are referred to as woollybears. This subfamily includes some of our most beloved caterpillars, like the banded woollybear, which is believed by some to be a predictor of winter weather. Other members of the group, like the fall webworm, are considered pests. Habitat There are about 260 species of tiger moths in North America, a small fraction of the 11,000 species known worldwide. Tiger moths inhabit both temperate and tropical zones but are more diverse in the tropics. Diet and Life Cycle As a group, tiger moth caterpillars feed on a wide range of grasses, garden crops, shrubs, and trees. Some species, like the milkweed tussock moth, require specific host plants (in this example, milkweed). Like all butterflies and moths, tiger moths undergo a complete metamorphosis, with four life cycle stages: egg, larva (caterpillar), pupa, and adult. The cocoon is constructed mostly from larval hairs, making for a rather fuzzy pupal case. Defenses Many tiger moths wear bright colors, which may serve to warn predators that theyd be an unpalatable meal. However, the nocturnal tiger moths are also hunted by bats, which find their prey using echolocation rather than sight. Some species of tiger moths have an auditory organ on the abdomen to help them detect and avoid bats at night. Tiger moths dont just listen for bats and flee, though. They produce an ultrasonic clicking sound that confuses and deters the bats pursuing them. Recent evidence suggests the tiger moths are effectively jamming or interfering with bat sonar. Some clever tiger moths that are perfectly tasty will mimic the clicking of their unpalatable cousins, much like the viceroy butterfly mimics the colors of the toxic monarch butterfly. Classification The tiger moths were previously classified within the family Arctiidae, and in some cases are listed as a tribe instead of a subfamily. Their current classification is: Kingdom: AnimaliaPhylum: ArthropodaClass: InsectaOrder: LepidopteraFamily: ErebidaeSubfamily: Arctiinae Sources Borror and DeLongs Introduction to the Study of Insects, 7th edition, by Charles A. Triplehorn and Norman F. JohnsonInsects: Their Natural History and Diversity, by Stephen A. MarshallMoths mimic each others’ sounds to fool hungry Discover Magazine, accessed November 14, 2012Moths Use Sonar-Jamming Defense to Fend Off Hunting Bats Scientific American, accessed November 14, 2012Moths Mimic Sounds To SurviveSubfamily Arctiinae - Tiger and Lichen Moths BugGuide.Net, accessed November 14, 2012Flying Tigers, Entomology Notes #19, Michigan Entomological Society, accessed November 14, 2012

Communication Activity BYP8-5 Assignment Example | Topics and Well Written Essays - 250 words

Communication Activity BYP8-5 - Assignment Example Cash is considered the most liquid current asset. Cash is needed to pay off the short term and long term obligations of a company. Upon review of your internal control system to handle cash our firm found several deficiencies. The person that deposits the checks has properly endorsed checks that are ready for the deposit, but the person does not know the accuracy of his check deposit because he does not have a list of the checks. Adding a list of checks would provide a way to verify if the checks that are supposed to be deposited are there. The person that is handling this transaction is the wrong person. Currently your company is allowing the cashier and the account receivable clerk to handle this transaction. This is a risky move because since these employees are dealing with cash and receivable they could collude against the company and create a fraud scheme to steal money from the firm. Since they are handling all aspects of the cash dealing it would be easy for them to steal wit hout anyone noticing. To fix the problem these employees should no longer handle the check deposits. The weekly deposit routine can be improved by switching to a daily deposit routine. Regards, John May, Auditor Tel. (856-932-1412)